Berlin, Symphony of a Great City

At once an invaluable photographic record of life in Weimar Berlin and a timeless demonstration of the cinema's ability to enthrall on a purely visceral level, Berlin, Symphony of a Great City (Berlin, die Symphonie der Grosstadt) offers a kaleidoscopic view of a single day in the life of a bustling metropolis.

Carl Mayer (The Last Laugh), influenced by the naturalistic Kammerspiel movement, envisioned "a melody of pictures" sprung from daily reality instead of the stylized artificiality of the studio-bound expressionist film. Following Mayer's rough outline, photographer Karl Freund deployed a team of cameramen to explore the avenues, alleyways and factories of Berlin and secure hidden-camera glimpses of the people and machinery that provide the city with its constant motion. The many hours of footage were then edited into a series of five acts, like movements of a symphony, by Walther Ruttmann as a continuation of his experiments with abstract motion (see Opus I).

Berlin defined the formula of the "city symphony" film and according to John Grierson - the filmmaker/critic who coined the term "documentary" - "No film has been more influential, more imitated."